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One after 909

Pollack's Notes On Its official release date, as part of the "Let It Be" album, was May , yet there are home recordings of the pre-Beatles playing the song virtually ten full years earlier. It's a paradox: they supposedly held it back for so long because they never did feel it was quite ready for prime time. Indeed, in comparison to just about any other original song released on their first couple albums and singles, "One After " is an unusually simple and straightforward song in every compositional category. In contrast to some of the subtle formalistic variants you'll find even in their early works, this one is fully cranked out with its two bridges and a guitar solo modelled on the pattern of the verse section. You might even say the form is a bit boxy from the way all the sections are built out of even numbers of four-measure phrases. On the other hand, the stylized blues tint of the music allow it to fit in just about anywhere in the Beatles canon. And the lyrics have a deadpan bite and ambiguity in spite of the simple story they tell that can somehow pass for later, or at least "mature" Beatles fare. Some truth in advertising: much of this particular note is drawn from a longer article published in The Vol. I, No.
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This image is a cover of an audio recording, and the copyright for it is most likely owned by either the publisher of the work or the artist s which produced the recording or cover artwork in question. It is believed that the use of low-resolution images of such covers qualifies as fair use. Officially appears on Beatles For Sale Mono. Officially appears on Anthology 1. Officially appears on Hello Little Girl. Once Upon A Long Ago. One And One Is Two. Spread the love! If you like what you are seeing, share it on social networks and let others know about The Paul McCartney Project. The album version is the live performance from the rooftop concert which took place on 30 January

My baby says she's trav'ling on the one after I said move over honey I'm travelling on that line I said move over once, move over twice Come on baby don't be cold as ice I said I'm trav'ling on the one after I begged her not to go and I begged her on my bended knee You're only fooling around, you're fooling around with me I said move over once, move over twice Come on baby don't be cold as ice I said I'm trav'ling on the one after They've got my bag, run to the station Railman says: You've got the the wrong location They've got my bag, run right home Then I find I've got the number wrong. Well I said I'm trav'ling on the one after I said move over honey I'm travelling on that line I said move over once, move over twice Come on baby don't be cold as ice I said I'm trav'ling on the one after Well I said I'm trav'ling on the one after I said move over honey I'm travelling on that line I said move over once, move over twice Come on baby don't be cold as ice I said we're trav'ling on the one after 90 I said we're trav'ling on the one after 90 I said we're trav'ling on the one after Quiero recibir notificaciones de artistas destacados y noticias. One After The Beatles. Compartir en Facebook Compartir en Twitter. Subtitulado por Eduardo. Revisiones por 2 personas.

However, two bootleg versions by The Quarrymen exist, dating from , one of which was featured in the Anthology TV series. Two other fascinating live recordings of the song exist, both from a rehearsal at the Cavern Club. Although McCartney claimed that the song was a collaboration based on an idea by John Lennon, his former songwriting partner remembered it as a solo effort. Lennon mentioned in a number of interviews the significance of the number nine. The attempts sound rather more pedestrian than the version, and clearly The Beatles and George Martin felt the recording was unsatisfactory.

It remained unreleased until Anthology 1 in The unreleased take two broke down because Paul McCartney thought there would be another middle sixteen after the solo. A sequence of two unfinished takes was included on Anthology 1. The first of these, take three, broke down when McCartney found the song hard to play without a plectrum. The second was take four, which was halted when Lennon began singing during the guitar solo. Six years later the group revisited the song, with Billy Preston on keyboards.

The Beatles recorded a number of versions in January So Sorry, you guys are in error about the instrumental listings for One After George is on lead guitar and John is on rhythm guitar. It was a prototype made by Fender just for harrison.

Fender was trying to get the Beatles to use their stuff publicly since the vox deal was broken when Brian Epstein died. They also made a Rosewood Strat for Jimi Hendrix at the same time which apparently was never delivered to him. It was recently sold for auction.

They made a few special all rosewood strats and teles, notably giving one to George and one one to Jimi Hendrix. I believe the guitar you are thinking of is the wine red les Paul Clapton gave George along with a Leslie cabinet fitted for guitars.

Is it the number of a train line the narrator is traveling on? A time the train leaves? Insights are welcome. Its notable to see during the let it be sessions when i think Neil says.. At the end he get inyected again, and at last they did it. After listening to that one exclusively for a year or so, I came back to the Let It Be version and it just seems manic. That the song slows down a little bit.

He was commenting about Paul accenting the bass line. Paul at first playing straight line 8 in 4. He begins like a 4 on 4 and bending the string for accent. It wwas a really old lorry and I thought at the time that it might be worth a bit! With compression and de-essers this type of thing has become less necessary, but many vocalists and announcers still use this technique. It was a pleasant surprise when I first heard it on the Anthologys.

Good move Apple for releasing all these gems, although some of these were bootlegged! I much prefer the over the one. The slower pace works better and the vocals sound more convincing on the original. Can anyone else hear this as a song by The Band? Levon Helm and Rick Danko singing lead. Would love to have heard the Band take a whack at this. I love the version , never get tired of it :- The guitars, the beat and the vocals gives me chills! Or was it just a thing they were doing for fun? Has anyone ever seen film of The Beatles on the roof playing One After all the way through?

In Let It Be, the film cuts to the sreet interviews in the middle of the song; I want to just see the band playing. With the help of Billy Preston this song jumps out at you as a great Rock and Roll should. The playing is together and tight. It always amazed me what fantastic sounds the Beatles were able to generate from the instruments they played.

This song is one of my favorites on the Let It Be Album. Any Beatles song which brings a smile to my face is to be lauded. I can even imagine Ringo singing this song in the shower. It would be different, but the style of the song could have been adapted. Loved this from the moment I heard it way back when. I kinda laugh when I hear people disparaging MP3 versions, as though we all own Reference Equipment on which to play our High Resolution tracks, when as a kid the best my family could do was a portable suitcase record player in Mono, and next to no fidelity.

I spoke to Cynthia Lennon in the late eighties. In a question and answer session she said she had contributed to this song. I love both versions but the 63 track is raw and clean. Johns rockin the whole way. In particular, the solo is just outstanding. The perfect Telecaster sound. I swear the start of the Naked version is ever so slightly different than the start on the regular version, the pitch is more in-key. Is it a completely different start, or was the off-key effect unintentional on the original version?

Some kind of tape wind issue or something? Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies.

It is mandatory to procure user consent prior to running these cookies on your website. Paul: Yeah…. It has great memories for me of John and I trying to write a bluesy freight-train song. It was a tribute to British Rail, actually. That was something I wrote when I was about seventeen. I lived at 9 Newcastle Road. I was born on the ninth of October, the ninth month [ sic ]. Latest Comments. Bill Schieve Friday 10 April Joe Friday 10 April Juliana Brown Friday 11 March Fender also supplied then with all the amps you see as well.

Aaron Friday 19 April That tele was a solid rosewood guitar given to him by fender. Nothing to do with Eric. Kevin Saturday 9 May George Tuesday 21 December Chapsy Sunday 17 May I never understood this: I was born on the ninth of October — the ninth month. ArthurFiggis Wednesday 10 October I think he is jokingly referring to the ninth month of pregnancy.

At the end he get inyected again, and at last they did it Loading Jonny Music Saturday 22 August Julian Bailinson Sunday 8 May Fred Sunday 27 September Jeremy Friday 27 June Weeeeelllll… late fifties stuff. Vonbontee Thursday 3 December Condemned Thursday 24 December Jan Thursday 27 January Has always reminded me of Cynthia Lennon missing the train for India.

Joseph Brush Wednesday 23 February ManNamedLear Sunday 4 September I dig both versions of the song.



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  • Tugrel18 days agoHas understood not absolutely well.¿Estás buscando la traducción?
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